On the death of his mother Ryder really didn’t want to have to deal with the deranged ‘auntie’ that had lived in the tower with them. This affliction would manifest itself by her replacing the chicken with a new one whenever Chickoletta ‘got sick and had to rest’, which was actually quite frequent. The distraught Goodway just could not cope with this, and in her obsession began to believe that Chickoletta was still alive, and would never die. Chickens, however, don’t live all that long, especially when kept in a bag and only periodically fed on a diet of nothing but sweetcorn, so ‘Chickoletta’ quickly died. She grew such an attachment to one chicken in particular that she used to carry it around with her everywhere in a bag. In fact, the chickens were her only company for many, many years. Named ‘Goodway’, she was kept inside for pretty much most of her childhood, only allowed outside to tend to the allotments and to look after the chickens. Instead she kept it herself, and brought it up in the tower. She couldn’t be labelled a baby-murderer, that’s the kind of thing that causes rebellions. She disappeared soon afterwards, obviously, but Ryder’s mother kept the baby. The lady claimed to have never even met a black guy before, but the evidence was there for all to see. When the town was run by Ryder’s mother (before he was born, and long before he murdered her of course) one of the women of the town had a baby that caused her some issues. There wasn’t a lot of diversity in Adventure Bay, and that was not overly surprising as the population was heavily controlled, using forced marriage and other eugenic systems. She’s born and bred in Adventure Bay, and has never left the area, hence why she’s completely bat-shit crazy. I have been somewhat berated for not doing enough with her character, but I think if you knew a bit of her background, you’d understand a bit more… It seems to me that there is a lot of hatred for Chickoletta around. This was my response, it also explains a bit about Mayor Goodway too: That’s problematic in that the Paw Patrol creators are sending this message that we can’t depend on the state to provide these services.I wrote a really stupid and silly story about what really 'goes on' in Adventure Bay (I was bored one lunchtime), but I got a lot of grief for not doing anything nasty to Chickoletta in it. That’s a huge problem, per Kennedy: “Paw Patrol, as a private corporation, is used to help provide basic social services in the Adventure Bay community. ‘There’s Chase, the police dog, Marshall, the fire chief dog who can never quite get control of his hose, Rubble, the builder, Skye, who flies a plane for some reason and is the girl pup, Everest, the extreme outdoor adventuring pup, Rocky, the rescue dog, and Zuma, the pup who drives a boat.” “In the show, Ryder is the ring-leader of the pups, each of whom has a job to do as part of their team,” according to Post Millennial. The show portrays a band of puppies who provide much-needed emergency services - police, fire, construction, and other public works - to a fictional town where the dogs in charge are largely incompetent. Together, it rakes in hundreds of millions of dollars every year and has been forging a cult-like preschool following for years,” according to Fast Company. “Paw Patrol,” created by a Canadian toy maker is “a cartoon, a toy brand, and a merchandising juggernaut, as well as a touring live show. Just yelp for help’: Crime, Conservation, and Corporatization in Paw Patrol.” King’s University College professor Liam Kennedy has published an entire treatise on the subject of “Paw Patrol,” entitled “Whenever there’s trouble. A far-left professor in Canada is on a tear against the wildly popular kids’ cartoon, “Paw Patrol,” which he claims is “capitalist propaganda” that leads children away from Marxism, teaching them to critique and distrust government and embrace individualism.
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